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Coffee
Tasting
The taste of the
coffee is ultimately what it’s all about. Everything which goes
before the moment you savour the first sip of
your cup should be designed to give you the best possible flavour
experience. All too often it’s designed to separate you from your
cash with the minimum of trouble on the part of the person supplying
the coffee, and the taste is very much a secondary consideration.
However, for those who wish to have their palates educated, there IS
a standard tasting terminology for coffee. This was originally
produced by Ted Lingle, who has also published a book called "The
Coffee Cuppers’ Handbook", currently in the third edition, and who
is currently executive director of the SCAA.
The human mouth
experiences 5 taste sensations, sweet, sour, salty, bitter and
umami, the last being the mouth’s reaction to MSG, a common flavour
enhancer. Most of the sensation we actually interpret as taste is
really the product of our sense of smell. This is probably why the
definition of the ultimate in coffee is "one that tastes the same as
it smells"!
Professional coffee tasting
technique can be summarized as the Big Sniff, the Big Slurp and the
Big Spit. The sniff is for smelling the coffee, of course. A
superior coffee will have a strong, pure aroma with no disagreeable
smells. Then comes the big slurp, basically an attempt to inhale a
mouthful of coffee without choking (takes a bit of practice), after
which you swish the coffee around inside your mouth to determine its
overall taste, body and balance. Projectile spitting into a spittoon
is another art which must be learned if you don’t want to wear brown
permanently.
After the show is
over, the big question is – what does it taste like? – and hopefully the answer is "COFFEE!" However, the
overall taste can usually be defined in terms of "sourness" – the
level of acidity, "sweetness" – caramelised sugars formed during
roasting – "bitterness" – undesirable taint at the back of the mouth
– and "body" – lipid (oil) content contributing to mouthfeel. The
more subtle flavour nuances, such as "blackberry", "gamey", "maple
syrup", "toast" are generally features of the aroma, the
descriptions attempt to communicate the overall flavour by analogy
to known tastes. This is where Ted Lingle came in; below are the
"Flavor Wheels" he invented in his attempt to standardize the
terminology.
The first wheel is a
description of the potential faults associated with improper
storage, handling and roasting of coffee beans. The second is the
attempt to characterize flavours and aromas in easily understandable
terms, allowing you to describe a coffee as "Sweet, with a mellow
acidity and a slight trace of bitterness in the aftertaste. The
aroma is honey with hints of flowers and citrus. The medium body
rounds out the flavour into a balanced whole."
Learning to taste
coffee is almost entirely a practical affair, with of course a lot
of paperwork attached. "If you don’t write it down, you never tasted
it." A good way to familiarize yourself with the various coffee
"tastes" is to try them as pure versions first, a method that’s also
practical for wine tasting. Try dissolving the following in 200ml of
hot water:
0.5g sugar, for
"Sweet".
0.5g citric acid, for
"Acidity".
0.1g salt, for
"Salt".
1 crushed "No-Doz"
(caffeine) tablet for "Bitter".
0.5g sunflower oil for
"Body" (stir well to emulsify it, or add it to the "Acid"
sample.)
Be prepared to do a LOT of
spitting and palate cleansing. After tasting this lot, you’ll have a
fair idea of what you’re talking about in coffee
equivalents.
What this gives you is a
(very) basic appreciation of exactly what you are tasting when you
cup a coffee. Very much more sophisticated and scientific
appreciation can be achieved with precise measures of various coffee
extracts, which can even be used to "calibrate" a person’s palate by
detecting the thresholds at which they can taste various flavours.
There is also an "Aroma" kit available from the SCAA, "Le Nez Du
Café", which is designed to enable tasters to exactly categorize
what they are smelling. This standard of expertise is really only
required if you’re making your living out of it, as the time,
trouble and expense involved in developing your senses is out of
reach of most people.
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